Here are the three best movies new to Hulu you can watch this week.

“Barbarian” (2022)

Writer-director Zach Cregger took the horror world by storm with “Barbarian.” The film, an alternately terrifying and gut-bustingly funny horror comedy, was obviously and lovingly made in the shadow of genre artists like Sam Raimi, and yet it stands on its own.

“Barbarian” follows a woman (Georgina Campbell) whose life takes an increasingly horrifying turn after she discovers the Airbnb she reserved was not only double-booked by a mysterious man (Bill Skarsgård) but also contains a strange and dangerous secret. To say much more would be to spoil the fun of a movie that, in the best way possible, takes you on the kind of rollercoaster ride the specifics of which you could never see coming.

“Nightmare Alley” (2021)

Four years after his 2017 film “The Shape of Water” won Best Picture and Best Director at the Oscars, writer-director Guillermo del Toro returned with “Nightmare Alley,” a black-hearted technicolor noir based on author William Lindsay Graham’s 1946 novel of the same name. Bradley Cooper leads the film as an ambitious carnival worker whose con-man ways slowly catch up to him after he begins selling himself as a honest-to-God clairvoyant.

An unwaveringly cynical, haunting drama about sin and the inescapability of identity, “Nightmare Alley” admirably commits to the corrosive darkness at the heart of its story. The result is a film that gets under your skin and stays there, and which ranks firmly as del Toro’s most underrated directorial effort.

“The Substance” (2024)

Speaking of movies that refuse to shy away from their most difficult elements, writer-director Coralie Fargeat’s “The Substance” is a wholly original, striking body horror comedy. Set in contemporary Los Angeles, the film follows an aging celebrity (Demi Moore) whose use of an experimental black market drug results first in the creation of a younger version of her (Margaret Qualley) and later in a vicious, self-destructive battle between the two of them.

Anchored by a career-best turn from Demi Moore and featuring one of the most unforgettably gonzo climaxes of any horror film in recent memory, “The Substance” takes its story as far as it possibly can. In doing so, Fargeat’s film manages to reach conclusions about the poison of ageism and our cultural obsession with youth that leave a lasting collective mark.

The post The 3 Best New Movies to Watch on Hulu This Week appeared first on TheWrap.

Well, there’s of course some good Halloween options, like the 1931 “Frankenstein,” some “Chucky” variants, and more. There’s your feel-good options, like “Girls Trip” and “She’s All That.” Then there’s some brand new releases, like Rachel Morrison’s “Love of Your Life” starring Margaret Qualley.

We’ve got the comprehensive list for you below. Here’s everything headed to Prime Video in October.

Oct. 1

A View to a Kill (1985)

American Fiction (2023)

Bend Of The River (1952)

Blade Runner 2049 (2017)

Blade Runner: The Final Cut (1982)

Bodies Bodies Bodies (2022)

Candyman (1992)

Casino (1995)

Casino Royale (1967)

Casino Royale (2006)

Child’s Play (1988)

Child’s Play (2019)

Chitty Chitty Bang Bang (1968)

Creature From The Black Lagoon (1954)

Creed (2015)

Creed II (2018)

Creed III (2023)

Dances With Wolves (1990)

Dark Harvest (2023)

Deepwater Horizon (2016)

Diamonds Are Forever (1971)

Diary Of A Wimpy Kid: The Long Haul (2017)

Die Another Day (2002)

Dog (2022)

Dr. No (1962)

Dracula (1931)

Duel At Diablo (1966)

Duets (2000)

EDtv (1999)

Fletch (1985)

Fletch Lives (1989)

For Your Eyes Only (1981)

Frankenstein (1931)

From Russia With Love (1964)

Girls Trip (2017)

Going My Way (1944)

Goldeneye (1995)

Goldfinger (1965)

Guy Ritchie’s The Covenant (2023)

Hereditary (2018)

Holiday Inn (1942)

Hoosiers (1987)

Hot Pursuit (2015)

House Of Gucci (2021)

Hungry (2026)

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Indiana Jones and the Last Crusade (1989)

Indiana Jones and the Raiders of the Lost Ark (1981)

Indiana Jones and the Temple Of Doom (1984)

Infinite (2021)

It’s a Mad, Mad, Mad, Mad World (1963)

Jason’s Lyric (1994)

John Wick (2014)

John Wick: Chapter 2 (2017)

John Wick: Chapter 3 – Parabellum (2019)

John Wick: Chapter 4 (2023)

Killer Klowns From Outer Space (1988)

Krampus (2015)

Kung Fu Panda (2008)

Kung Fu Panda 2 (2011)

Kung Fu Panda 3 (2016)

Lawman (1971)

Licence to Kill (1989)

Lifeforce (1985)

Live And Let Die (1973)

Lone Survivor (2014)

Lone Wolf McQuade (1983)

Mariah Carey’s All I Want For Christmas Is You (2017)

MaXXXine (2024)

Midsommar (2019)

Miss Scarlet S1 (2021)

Moonraker (1979)

Mr. Mom (1983)

My Adventures With Santa (2019)

Mystery Men (1999)

Never Say Never Again (1983)

No Time To Die (2021)

Octopussy (1983)

On Her Majesty’s Secret Service (1969)

Over The Top (1987)

Pearl (2022)

Poldark S1 (2015)

Primary Colors (1998)

Quantum Of Solace (2008)

R.I.P.D. (2013)

Red Dawn (1984)

Red Dawn (2012)

Rocky (1976)

Rocky Balboa (2006)

Rocky II (1979)

Rocky III (1982)

Rocky IV (1985)

Rocky IV: Rocky Vs. Drago (1985)

Rocky V (1990)

Sanditon (2020)

Scream Queens S1-2 (2015)

Sea Of Love (1989)

She’s All That (1999)

Skyfall (2012)

Spaceballs (1987)

Spectre (2015)

Stir Of Echoes (1999)

Stir Of Echoes: The Homecoming (2007)

That Awkward Moment (2014)

The Amityville Horror (1979)

The Amityville Horror (2005)

The Battle Of Britain (1969)

The Best Man Holiday (2013)

The Boy (2015)

The Boys In The Boat (2023)

The Bride Of Frankenstein (1935)

The Godfather (1972)

The Godfather Coda: The Death Of Michael Corleone (1990)

The Godfather Part II (1974)

The Invisible Man (1933)

The Judge (2014)

The Living Daylights (1987)

The Long Riders (1980)

The Man With The Golden Gun (1974)

The Marsh King’s Daughter (2023)

The Pope’s Exorcist (2023)

The Poughkeepsie Tapes (2007)

The Prodigy (2019)

The Spy Who Loved Me (1977)

The Sting (1973)

The Terminator (1984)

The Witch (2016)

The World Is Not Enough (1999)

The Zookeeper’s Wife (2017)

Thelma & Louise (1991)

There Will Be Blood (2008)

Thief (1981)

Thunderball (1965)

Tomorrow Never Dies (1997)

Touch Of Evil (1958)

Walking Tall (2004)

Walking Tall: The Payback (2007)

Wrath Of Man (2021)

X (2022)

You Only Live Twice (1967)

October 2

Now You See Me: Now You Don’t (2025)

ONE Championship on Prime (2026)

*Prefiero la Muerte (I Would Rather Die) (2026)

Wuthering Heights (2026)

October 4

Chucky S1-3 (2021)

Godzilla x Kong: The New Empire (2024)

*The Seven Knights of the Marronnier Kingdom (2026)

October 14

*Love of Your Life (2026)

October 16

*Masterplan (2026)

Scream 7 (2026)

October 19

*Love in Disguise (2026)

October 21

*The Terminal List S2 (2026)

October 23

*Last One Laughing: Halloween (2026)

The Bride! (2026)

October 24

*Final Table (2026)

October 30

*Apocalypse Z: New World (2026)

*Last One Laughing Philippines S2 (2026)

The post Here’s What’s New on Prime Video in October appeared first on TheWrap.

It all kicks off on Sunday, with the return of “Marshals” and “Tracker.” Though the bulk of the networks Fall slate is made up of returners, there are also three brand new series premiering as well. That includes “Eternally Yours,” a new vampire comedy from the creators of “Ghosts” — perfectly timed for the beginning of the Halloween season.

Here are all the shows debuting or returning during CBS Premiere Week.

Marshals

Airs on Sundays

“Marshals” returns for its second season on Sunday, October 4 at 8:30 p.m. ET. The series follows Luke Grimes reprising his role as Kayce Dutton from “Yellowstone,” as he joins an elite unit of U.S. Marshals, combining his skills as a cowboy and Navy SEAL to bring range justice to Montana.

In season 2, Jefferson White will reprise his role as fan-favorite Jimmy Hurdstrom, “a good-hearted yet rough-around-the-edges ranch hand who evolved from a troubled criminal into a resilient, proud cowboy,” in a recurring role.

“Marshals” will return to its typical 8 p.m. ET time slot on October 11.

Tracker

Airs Sundays

Immediately following “Marshals” is the Season 4 premiere of “Tracker,” starring Justin Hartley. In the first episode of the season, “Colter’s search for a teenage boy’s missing father leads him to a dangerous criminal operation at the Port of Los Angeles.”

“Tracker” returns to its 9 p.m. ET time slot on October 11.

FBI

Airs Mondays

“FBI” returns for Season 9 on Monday, October 5 at 8 p.m. ET. Per the official logline of the premiere episode: “After a young traveler is found shot dead in a state park, the team discovers she was witness to an execution of a person involved in a top-secret government-sponsored project. Meanwhile, Maggie struggles to bond with her new partner, Isaiah Green (played by Roland Buck III), and OA adjusts to a new role.”

CIA

Airs Mondays

“CIA” is the next branch of televised government to return on Monday, kicking off Season 2 at 9 p.m. ET. In the episode, “When a known cartel fixer arrives in N.Y.C., the team tracks him down and discovers the body of a DEA agent. After it becomes clear the case is not what it seems, the team must work quickly to prevent additional murders. Meanwhile, Bill makes a shocking discovery when he returns to work after the death of his father and the team enlists the help of FBI Special Agent Stuart Scola (John Boyd).”

Harlan Coben’s Final Twist

Airs Mondays

“Harlan Coben’s Final Twist” rounds out CBS Mondays, returning to start Season 2 at 10 p.m. ET.

“When church-going mother Betsy Faria is found stabbed to death in her quiet Missouri home, police initially suspect suicide … she’d tried it before,” the synopsis teases. “But multiple stab wounds and the surrounding evidence point to her husband. It seems like an open-and-shut case: trial, conviction, done. But then, more dead bodies and strange twists lead back to Betsy’s murder … unraveling a story everyone thought they understood.”

NCIS

Airs Tuesdays

“NCIS” is the veteran kicking off Tuesdays for CBS this fall, as it returns for Season 24 on October 6 at 8 p.m. ET. The premiere is also bringing back a familiar face for fans.

“While dealing with the fallout from the shooting involving McGee’s son, the team investigates a mysterious new threat to the Secretary of the Navy and receives help from an unexpected source: Tony DiNozzo (Michael Weatherly), newly arrived in D.C. to open a satellite office of his private security firm.”

NCIS: New York

Airs Tuesdays

Next up on Tuesdays is a new “NCIS” spinoff, “NCIS: New York,” premiering October 6 at 9 p.m. ET.

In this series, Special Agent Sam Hanna (LL COOL J) returns to his hometown of New York City. When his friend and Navy reservist Jack Halloway is found dead, he requests permission to investigate. Sam gets paired “with roguish agent Nick Schaeffer (Scott Caan), who introduces him to the rest of the team: clean-cut Wyatt Sellers (Shane Harper), bright-eyed Addy Ross (Jacqueline Byers) and hacker-turned-computer guy Sean Sullivan (Devin Druid). As the team investigates Jack’s death, they work together to gather key information that can help find the culprits.”

NCIS: Origins

Airs Tuesdays

Rounding out “NCIS” Tuesdays is the Season 3 premiere of “NCIS: Origins” at 10 p.m. ET. In the premiere, fans will do a bit of time jumping back and forth.

“In the present day, ghosts from Leroy Jethro Gibbs’ (Mark Harmon) past finally catch up to him, shattering his peaceful retirement in Alaska,” the logline teases. “In 1992, the team races to rescue a kidnapped Randy (Caleb Foote) while Gibbs (Austin Stowell) and Lala (Mariel Molino) deal with the aftermath of their kiss.”

Georgie & Mandy’s First Marriage

Airs Thursdays

On Thursday, October 8, the “Big Bang Theory” universe returns to broadcast once more, with the Season 3 premiere of “Georgie & Mandy’s First Marriage.”

Fans will see a bit of family feuding in the premiere, as Georgie fights with Mary — and “tensions rise when Mandy and the family side against Georgie.” Meanwhile, Connor turns to Georgie when he gets himself into trouble.

Eternally Yours

Airs Thursdays

At 8:30 p.m. ET on Thursday, spooky season kicks off on CBS with the series premiere of “Eternally Yours.”

From the creators of “Ghosts,” this series centers on a pair of vampires who got married hundreds of years ago, only to realize that “eternity” is a really long time to be with someone. Fortunately, they have their coven, but problems arise when they meet their daughter’s new boyfriend.

Elsbeth

Airs Thursdays

Next up on Thursdays is the Season 4 return of “Elsbeth” at 9 p.m. ET. Here’s what to expect in the season premiere: “Elsbeth crosses paths with renowned marriage counselor Serena Collyer (Nicole Scherzinger), whose cool demeanor hides a murderous and messy passion. Also, Teddy sets a wedding date.”

Cupertino

Airs Thursdays

Thursdays are getting a double dose of newcomers, as the series premiere of “Cupertino” airs at 10 p.m. ET.

The series stars stars Mike Colter and Rachel Keller as lawyers Michael Price and Olivia Siffre, who are wrongfully terminated from a tech start-up, and team up to start their own law firm. Together, they “represent those taken advantage of by the tech elite and fight back in a high-stakes battle against the Goliaths of Silicon Valley.”

Sheriff Country

Airs Fridays

CBS Fridays kick off at 8 p.m. ET with the Season 2 premiere of “Sheriff Country,” starring Morena Baccarin. The premiere also brings her real-life husband Ben Mackenzie as a guest star.

“As Sheriff Mickey Fox struggles to process a shocking revelation about her family, she races to save a troubled young woman whose descent into a dangerous criminal operation uncovers a growing threat to all of Edgewater,” the synopsis says. “Ben McKenzie guest stars as Sheriff Wade, a neighboring sheriff who is called in to assist Sheriff Mickey, and has a few secrets of his own.”

Fire Country

Airs Fridays

“Fire Country” returns October 9 as well, kicking off Season 5 at 9 p.m. ET.

Per the synopsis: “As Edgewater celebrates its annual Founders’ Day festival, a catastrophic sinkhole opens beneath Main Street, trapping residents underground and forcing Station 42 into a high-stakes rescue. Meanwhile, a mysterious former firefighter arrives in Edgewater.”

Boston Blue

Airs Fridays

Fridays finish up with “Boston Blue,” kicking off Season 2 at 10 p.m. ET.

To start the season, Danny and Lena must race to stop a copycat killer emulating the Boston Strangler: “As panic grips the city, Jonah and Sean, fresh off their rookie year, as well as Henry Reagan, jump in to help Danny and Lena track down and arrest the killer. Also, Danny faces a career-defining promotion while Lena uncovers a lead that could link the attack on Detective Rodgers to a powerful figure.”

48 Hours

Airs Saturdays

Rounding out the Fall slate over on CBS is “48 Hours,” which returns for season 39 on Saturday, October 10, at 10 p.m. ET. The series takes true crime fans into real cases and investigations, and uncovers real secrets.

The post All 16 CBS Shows Premiering This Week appeared first on TheWrap.

Johnson kicked off her “SNL” run this week with a joke about her failed 2024 superhero movie “Madame Web,” which she remarked she is still promoting because “it hasn’t made any money yet.” Afterward, the actress reflected on the other turns her life has taken since she last hosted “SNL.”

“I went through two very public, very lame breakups with two very awesome musicians. Looking for a third,” Johnson joked, referencing her splits from Coldplay frontman Chris Martin and Role Model singer-songwriter Tucker Pillsbury. While she vowed not to talk anymore about her personal life, Johnson’s monologue was derailed again after she noted that her new movie, “Verity,” is a psychosexual erotic thriller.

“So is dating musicians. Some of them don’t wear shoes. Some of them are terrible in bed. But all of them are in my DMs,” Johnson said. “Some people leave concerts with merch, and I leave concerts with a two-and-a-half year relationship.” Thankfully, Johnson said she has “good friends” who do not judge her for her dating choices.

Enter: Swift, whom Johnson called her “literal therapist,” much to the former’s discomfort. “I’m not your therapist, actually. You just show up once a week at my house with an empty bottle of wine and ask if I want some,” Swift said.

You can watch Johnson’s “SNL” monologue below.

Dakota Johnson’s monologue! https://t.co/ZxOi5zVZLF

— Saturday Night Live (@nbcsnl) October 4, 2026

Johnson argued that she shows up at Swift’s house because she has “manners,” but the “Patient Zero” singer-songwriter did not see it the same way.

“You plop on my couch and overshare, and every so often I just say, ‘Damn, that’s crazy,'” Swift explained. “And then I give you a pedialyte and my security drives you home.” Johnson, for her part, defended her taste in musicians as a “public service,” while Swift stood supportively next to her.

“I think actually I’m doing a public service by dating them because, ladies, I am saving you a lot of money on Zoloft,” Johnson said. “So you’re welcome, America… and also England and parts of Ireland and Cleveland, apparently.”

Swift’s appearance on “SNL” this week comes less than a week after she debuted the music video for “Patient Zero,” one of four “encore” deluxe tracks she released last week tied to her 2025 album, “The Life of a Showgirl.” Johnson starred in the “Patient Zero” music video as the current partner of a toxic man (Colin Farrell) who used to be with Swift’s ghostly character.

As part of the music video’s release, Johnson also presented Swift at the 2026 MTV Video Music Awards last Sunday night with the show’s inaugural Artist Directors Honors prize.

The post Taylor Swift Interrupts Dakota Johnson’s ‘SNL’ Monologue With Breakup Advice appeared first on TheWrap.

Two members of the Republican National Committee (“SNL” stars Ashley Padilla and Andrew Dismukes) noted at the top of the segment that the midterms are “looking bleak” for the GOP this year. It was with that in mind that they brought in Hernández’s Rubio, urging him to record a message convincing voters to back Republicans this year. Unfortunately, the Secretary of State just used his time to tell voters in Spanish that Trump “tricked” him into the Iran War.

A wheelchair-bound Mitch McConnell (Mikey Day) was not much help, either. All the Kentucky senator could muster was a slowly raised peace sign before he was wheeled out of the room again. Jost’s Hegseth then came in moments later with a can of Tom Holland’s “non-alcoholic b–h beer” to call on Republican voters in a manner only he could.

“I need all you patriots at home to do the gayest thing ever and vote,” Hegseth said, bragging, “I’m putting God back in war, and it’s working. Our soldiers are praying a lot more than they used to. I’m always hearing them say, ‘Dear God, why?'” Moving on, the Defense Secretary dished out some “weird slam poetry” urging everyday Republicans to show up at the polls this fall.

“No weak, no woke, no DEI, no guy-on-guy,” Jost’s Hegseth rhymed. “No weirdos, no beardos, no Jills who became Joes. In conclusion: Vote, I guess.”

You can check out tonight’s “SNL” cold open below.

the Republican National Committee takes on midterm ad campaigns https://t.co/6xn5F75XT1

— Saturday Night Live (@nbcsnl) October 4, 2026

After Jost’s Hegseth made his exit, it was time for Johnson’s Trump to have his turn in the spotlight. The president began his message to voters by assuring them that his promise to give every American $5,000 if Republicans win the House and Senate this fall is “not a bribe” because he has “no intention of following through on that promise.”

“Just pretend I’m on the ballot, OK? You have to use something called imagination. Imagination makes a MAGA Nation,” Trump said. “What a hellhole this country is! It’s full of awful people. So I know it’s hard, but please vote for Republicans, OK? And yes, that includes creepy Ken Paxton down there in Texas.”

Padilla and Dismukes’ RNC workers concluded the segment by asking Trump to record a victory message in case Republicans emerge victorious in the midterms. The president obliged, telling the camera, “We did it! We won! Nobody has ever won so much before!”

In a nod to the MAGA faction’s many, ongoing election fraud claims, Trump again turned to the camera when asked to record an alternate message in case Republicans lose this year and repeated, “We did it! We won!”

The post ‘SNL’ Cold Open: Trump, Rubio and Hegseth Beg Republican Voters for Help Ahead of ‘Bleak’ Midterms appeared first on TheWrap.

Here are the best new movies and shows streaming this weekend.

“Sacrifice” Season 2 (Paramount+)

It has been nearly five years since the first season of “Sacrifice,” creator Chris Stokes’ thriller about an entertainment lawyer (Paula Patton) navigating the tumultuous lives of her rich and famous Hollywood clients, aired on BET+. Nonetheless, the series has made its return this week on Paramount+.

The 10-episode second season of “Sacrifice” premiered Wednesday on the streaming service, catching viewers back up with Patton’s Daniella Hernandez as she fights to rebuild Blackgammon Records and protect her family’s legacy. If you were a fan of “Sacrifice” Season 1, you might want to add its second season to your watchlist this week.

“East of Eden” (Netflix)

One of this fall’s biggest streaming premieres has finally arrived. Creator Zoe Kazan’s ambitious, seven-part adaptation of John Steinbeck’s “East of Eden” premiered in its entirety Thursday on Netflix. Starring Florence Pugh as the ruthless Cathy Ames, the limited series brings the multigenerational story of the Trask family to life with patience and grace at every turn.

Anchored by Pugh’s ferocious lead performance, which ranks high as one of the best she has ever given, “East of Eden” has quickly emerged as one of the must-see shows of the fall TV season. You would be wise to make some time for it.

“Coven Academy” (Disney+)

Disney+ and Hulu have kicked off October with some witchy fun in the form of “Coven Academy.” Created by “High School Musical: The Musical: The Series” creator Tim Federle, the new supernatural dramedy follows a trio of teenage witches-in-training in New Orleans as they work toward protecting their city from the threat of dangerous and ancient forces.

Boasting the exact kind of lightly spooky YA vibes that could make it a perfect early October binge-watch, “Coven Academy” is airing its episodes weekly on Freeform. However, the series dropped its complete, 10-episode first season Friday on Disney+ and Hulu, which means those interested have the opportunity to dive headfirst into “Coven Academy,” if they so choose.

“War” Season 1 (HBO Max)

“War,” HBO and Sky UK’s latest co-production, arrived this week in the U.S. on HBO and HBO Max. Created by “Lupin” and “Hijack” co-creator George Kay, the star-studded new anthology drama’s debut season follows the lawyers of two prestigious London law firms as they battle over a case involving the contentious divorce between a powerful tech entrepreneur (Dominic West) and his movie star wife (Sienna Miller).

A second season of “War” has already been ordered starring Marisa Tomei and “Lanterns” scene-stealer Kelly Macdonald, which means new viewers do not have to worry about the series going away anytime soon. Its first episode is streaming now on HBO Max. The remaining seven chapters of its first season will follow one at a time every week through Thursday, Nov. 19.

“Adventure Time: Side Quests” Season 2 (Hulu)

“Adventure Time: Side Quests,” Nate Cash’s soft reboot of the “Adventure Time” franchise, is back just four months after it made its debut on Disney+ and Hulu. When it premiered in late June, the series took viewers back to the early years of the “Adventure Time” story, catching up with Finn the Human during his childhood and exploring how him and his magical dog, Jake the Dog, became so close.

Now, “Adventure Time: Side Quests” Season 2 promises to continue following its lead duo as they embark on more adventures across the fantastical land of Ooo. All 20 of the season’s episodes are streaming now on Disney+ and Hulu.

“Tip Toe” (Starz)

“A Very English Scandal” and “Doctor Who” writer Russell T Davies has returned this week with “Tip Toe.” A psychological thriller set in contemporary Britain, the limited series follows two next-door neighbors, a gay bar owner (Alan Cumming) and an electrician (David Morrissey), who become deadly enemies, thanks to a combination of lingering resentments, tightly held secrets and the kind of anti-LGBTQ rhetoric that has begun to seep into the internet and contemporary politics again.

The series’ first episode premieres Friday on Starz, just four months after the five-part drama made its U.K. debut this past summer.

“Kill Jackie” (AMC+)

Based on author Nick Harkaway’s novel, “The Price You Pay,” AMC+’s “Kill Jackie” follows its eponymous heroine (Catherine Zeta-Jones) as her former life as an international drug smuggler catches back up to her when she discovers that the world’s most dangerous hitmen have been hired to kill her.

Co-starring Ron Perlman and “A Knight of the Seven Kingdoms” scene-stealer Daniel Ings, “Kill Jackie” promises to be a propulsive, violent, twisty and potentially addictive crime thriller. The limited series’ first episode premieres Friday exclusively on AMC+. Its remaining seven episodes will follow suit, premiering one at a time every Friday.

“Get Jiro” Season 1 (HBO Max)

“Get Jiro” has the potential to be one of this fall’s best new animated series. Based on Joel Rose and the late Anthony Bourdain’s acclaimed graphic novel of the same name, “Get Jiro” is set in a post-apocalyptic, near-future Los Angeles where the world’s most powerful figures happen to be chefs. The series follows a mysterious sushi chef (voiced by Brian Tee) as he embarks on a quest for vengeance in a world where food is both currency and a marker of one’s class.

Developed by Alessandro Tanaka and Brian Gatewood, “Get Jiro” premieres Saturday, Oct. 3 on Adult Swim and arrives the next day on HBO Max. If you were a fan of the original graphic novel or just find yourself in the mood for an action-packed new animated series, you may want to put “Get Jiro” on your radar.

The post 8 Best New Movies and Shows to Stream This Weekend on Netflix, HBO Max and More appeared first on TheWrap.

Warner Bros. TV, CBS Studios and Paramount Television Studios will now fall under his jurisdiction. Cheeks currently serves as chair of TV Media at Paramount, reporting to CEO David Ellison.

Cheeks already oversees CBS Studios, along with network CBS and cable operations like BET, Nickelodeon and Comedy Central, among others. Under the restructuring, Warner Bros. Television chairman and CEO Channing Dungey and Paramount Television’s president Matt Thunell are expected to both stay on and report to Cheeks, along with CBS Studios president David Stapf.

A Paramount spokesperons declined to comment to TheWrap.

This move could lend itself to future consolidation. Warner Bros. TV is historically the largest independent TV studio, but it has rolled back its production on broadcast hits, leaving that to the networks to produce in house. It remains unclear whether or not that would change as the company integrates itself with CBS.

CBS Studios is known for producing network shows like the “NCIS” and “Fire Country” franchises as well as “Matlock” and “Ghosts.” WBTV recent hits include “The Pitt,” “Ted Lasso” and the breakout debuts of “Rooster” and “Stuart Fails To Save the Universe.”

Paramount TV currently produces the entire Taylor Sheridan universe for Paramount+. Shows include “Reacher,” “Neagley” and “Lioness.”

This follows a similar executive structure as the newly formed Skydance has on the movie studio side. Warner Bros. and Paramount Pictures both fall under Josh Greenstein and Dana Goldberg as Skydance’s movie studios. And with Cindy Holland out at Paramount as of Tuesday, the space is open for Casey Bloys to run both HBO Max and Paramount+ on the streaming side.

The post Skydance Lumps Paramount-Warner Bros. TV Studios Under George Cheeks appeared first on TheWrap.

Apollo Global Management Inc., Bank of America and Citigroup provided the initial debt financing for the acquisition. Per the outlet, they sold approximately $30 billion in investment-grade debt, $12.4 billion in junk bonds and $9.46 billion in loans in just a week.

The update comes after Bloomberg reported that investors faced more than $100 million in paper losses after the combined company’s bonds started trading on Thursday, which led to the banks facing a flood of angry complaints from money managers.

Skydance Chief Financial Officer Dennis Cinelli dismissed the selloff as “one-day choppiness in the market,” telling Bloomberg it entered “not for a one-day trade, but to execute a transformative transaction to create a next-generation entertainment and technology company.” Citigroup’s Leon Kalvaria, chairman of the institutional clients group, added that the financing “turned out incredibly well in a choppy market.”

Representatives for, Bank of America, Apollo and Citigroup declined to comment, while Skydance did not immediately return TheWrap’s request for comment.

The debt sale comes as the merger is slated to close on Oct. 6, with the combined company expected to carry around $80 billion in debt.

The combined company, which has been named Skydance, will begin trading on the NYSE on Oct. 6 under the ticker symbol SKYD. The company will distribute warrants to purchase shares on Oct. 13.

While the deal isn’t officially closed, David Ellison has already started shaking up the combined company’s leadership team, tapping HBO CEO Casey Bloys to run Paramount+ and HBO Max, with Paramount Streaming head Cindy Holland exiting on Tuesday. The company also recruited Mattel CEO Ynon Kreiz to serve as co-CEO of the combined company.

The post Paramount-Warner Bros. Merger: Wall Street Banks Wrap Up $52 Billion Debt Sale appeared first on TheWrap.

To that end, we’ve gone through and made a curated list of the best new movies added to Netflix, Prime Video, HBO Max, Paramount+ and more this month. They include a brand new Ben Affleck thriller, an indie gem from earlier this year, a new Steven Spielberg movie, some excellent new comedy documentaries and more spooky movies than you can shake a broomstick at.

Check out our list of the top new movies streaming below.

“SOULM8TE”

Hulu – Oct. 1

It seems almost quaint to think of a time when “M3GAN,” the surprise hit about the doll-like killer cyborg, was being envisioned not as a series of PG-13 horror movies but as a vast universe that could contain all sorts of stories. One of those stories was “SOULM8TE,” which combines the dynamics of a 1990’s erotic thriller with the technological unease of a contemporary sci-fi thriller. David Rysdahl plays a nerdy scientist who has just lost his wife and works at a next-gen tech company. He agrees to beta test the company’s new lifelike female sex robot, who he names Sara (Lily Sullivan). As you can imagine, things soon go horribly wrong, Sara starts killing people and must be shut down.

It’s actually a lot of fun, and has some interesting things to say about sexual dynamics in the modern world and some sly commentary on the “trad-wife” phenomenon we’re seeing in social media and in politics. The problem, of course, was that “SOULM8TE” was being finished when “M3GAN 2.0” was released theatrically and performed so, so poorly. Post-production was paused while Universal searched for a potential partner and when that didn’t happen, they opted to just release it direct-to-digital themselves, stripped of any connection to “M3GAN” or its once-promising universe. And it’s a shame because “SOULM8TE” is actually pretty underrated.

“Psycho”

Netflix – Oct. 1

If you’re looking to watch a scary movie for Halloween, why not pick a classic? Alfred Hitchcok’s “Psycho” still holds up 60 years later, as the tale of Norman Bates and his murderous goings-on at the Bates Motel works not just because of its story, but how its told. Hitchcock wasn’t deemed the “Master of Suspense” for nothing, and if you cozy up with a blanket and bowl of popcorn this makes for a terrific night in.

“Crimson Peak”

Netflix – Oct. 1

If Gothic Romance is more your thing, Guillermo del Toro’s “Crimson Peak” has only grown in esteem since it was first released in 2015. Mia Wasikowska plays a precocious young woman who marries a kind but mysterious wealthy man played by Tom Hiddleston, who whisks her away to what turns out to be a decrepit mansion called Crimson Peak. He lives there with his sister, played by Jessica Chastain, but soon Wasikowska’s character is plagued by horrors and ghastly visions. Is the house haunted? And where did all these ghosts come from? This thing is lush and a joy to take in as del Toro spared no expense in building out a dreamworld of Gothic horror.

“Ouija: Origin of Evil”

Netflix – Oct. 1

Now if you want to watch something scary, try “Ouija: Origin of Evil.” Yes this is technically a prequel, no you don’t have to watch the very bad first “Ouija” movie to enjoy it. This film was written and directed by Mike Flanagan, of “Haunting of Hill House” and “Doctor Sleep” fame, and is a truly spooky tale set in 1967 Los Angeles of a widow and her daughters who run a faux psychic business out of their house.

“The Witch”

Prime Video – Oct. 1

What’s scarier than a board game? Witchcraft. Robert Eggers, who would go on to direct hits like “Nosferatu” and “The Lighthouse,” first burst onto the scene with the 2015 indie “The Witch.” The film also marked the big debut of Anya Taylor-Joy, who plays a young woman living in 1630s New England whose family is plagued by misfortune, seemingly at the hands of an actual witch. The extreme realism of the film — this is a period piece that looks and feels like it was shot in the 17th Century — only adds to the terror, as it makes the scares that much more tangible.

“Teenage Sex and Death at Camp Miasma”

Mubi – Oct. 2

Filmmaker Jane Schoenbrun earned a legion of new fans with their 2024 A24 film “I Saw the TV Glow,” a trippy allegory for being trans in a world that doesn’t accept you for who you are. Schoenbrun returned this year with something a bit more joyful in “Teenage Sex and Death at Camp Miasma,” which is again heavy on the allegory but this time about a more fun subject: sex. “Hacks” star Hannah Einbinder plays a filmmaker hired to direct a new installment in the slasher series “Camp Miasma” who tracks down the star of the original, played by Gillian Anderson.

“Evil Dead Burn”

HBO Max – Oct. 2

The latest installment in the long running “Evil Dead” franchise, which began with Sam Raimi’s influential original in 1981, is helmed by French filmmaker Sébastien Vaniček. Souheila Yacoub stars as a young woman who loses her husband and who tries to find community with her in-laws. Of course, this being an “Evil Dead” movie, all hell breaks loose (literally), as the spirits from the Book of the Dead begin to inhabit the family members. “Evil Dead Burn” garnered strong reviews and solid box office (making more than $72 million globally on a budget of just $20 million), serving as a direct sequel to 2023’s even-more-popular “Evil Dead Rise” (stick around after the credits for a key post-credits scene). And while fan reaction was mixed, an “Evil Dead” movie is like pizza – even when it’s bad, it’s still pretty good.

“Who Is Martin Mull?”

Netflix – Oct. 7

Joining a slew of comedy documentaries debuting on Netflix this month is “Who Is Martin Mull?,” which chronicles the life and career of the celebrated performer and comedian whose true passion lies in… painting? You know the face, now get to know the man.

“Disclosure Day”

Peacock – Oct. 9

“Disclosure Day” deserved better. It certainly couldn’t have been timed better, with the United States government opening a publicly accessible depository of UFO-related material and selectively unsealing classified documents, like the Navy’s engagement with a Tic-tac-shaped craft off the port of San Diego. (The phenomena around disclosure was the subject of a recent Time Magazine cover story.) Maybe it was the woo-woo marketing campaign, but “Disclosure Day” only racked up $241 million on a budget of $115 million, which is a disappointment. It’s also a shame. Because “Disclosure Day” is one of Steven Spielberg’s very best movies, a rip-snorting chase thriller about a whistleblower (Josh O’Connor) who steals documents related to the United States’ knowledge of UFOs and threatens to, in his words, “share it with the whole world, all at once.” Emily Blunt is a local weatherwoman who gets drawn into the mystery and Colin Firth is the man hunting them both down.

There’s a propulsive oomph to the narrative; David Koepp’s screenplay (based on a story by Spielberg) zips along admirably, from one expertly staged set piece to the next. And it ends on a somber, hopeful note that will have you wiping away tears. “Disclosure Day” is what you think of when you think of a “Steven Spielberg movie,” full of wonder and terror, awe and suspense. A truly perfect Friday night – or any other night, really – movie. And one of the year’s greatest films.

“Animals”

Netflix – Oct. 9

Just a few months after Matt Damon and Ben Affleck had a massive streaming hit with Joe Carnahan’s “The Rip,” the boys are back for “Animals.” While Damon was meant to star in this lean, Los Angeles-based thriller, he instead committed to some little art house movie called “The Odyssey” and Affleck stepped in to replace him as an LA mayoral candidate whose son is kidnapped on Halloween, just a few hours before the election. This leads him on a mad scramble to meet the kidnappers’ demands and save his campaign (and his marriage to Kerry Washington). Adding to the tension is that he’s already overextended himself financially to fund the campaign, which becomes downright desperate when Gillian Anderson enters the picture as a shady operative promising the safe return of their son … for an unimaginably large price.

“Animals” was based on a buzzy spec script by Connor McIntyre, which was subsequently rewritten by Affleck and studio pro Billy Ray, who assembled a strong team both in front of the camera (Steven Yeun and Ray Fisher are supporting players) and behind it (with legendary cinematographer Robert Elswit and composer Harry Gregson-Williams among others). At 106 minutes, too, “Animals” doesn’t overstay its welcome, offering just the right amount of political commentary, edge-of-your-seat thrills and delicate character moments. Roar. 

“Matchbox”

Apple TV – Oct. 9

The second movie based on a Mattel movie released this year (following this summer’s silly fun “Masters of the Universe”) is “Matchbox: The Movie,” based on the tiny toy cars of the same name. John Cena plays a spy who, after reuniting with his childhood friends, is coerced into a stealing a nuclear warhead that the CIA is convinced he and his buddies have stolen. What any of this has to do with the original toy line is anybody’s guess. But it sounds fun, the cast is killer (Jesica Biel, Sam Richardson, Arturo Castro, Teyonah Parris and Corey Stoll are also in the cast) and it was directed by Sam Hargrave, who helmed the first two “Extraction” movies for Netflix (don’t worry, he’ll be back for the third). Rev your engines. Grab your favorite car. And get ready for “Matchbox: The Movie.”

“Oasis: Don’t Look Back in Anger”

Hulu/Disney+ – Oct. 9

Last year’s global, sold-out Oasis reunion tour was such a startling improbability that people were betting on whether or not the shows would happen at all. The fact that it did happen – and was so spectacularly well-received – feels borderline miraculous. And everything that went into that reunion and the subsequent tour has, mercifully, been documented in “Oasis: Don’t Look Back in Anger,” a feature documentary that premiered earlier this year at the Venice Film Festival before playing in select theaters and now, winding up on Disney+ and Hulu.

Warmly reviewed, the film hails from Will Lovelace and Dylan Southern, who made the terrific LCD Soundsystem farewell tour doc “Shut Up and Play the Hits” (which ultimately became less a farewell than “we’ll be back soon” from the band) and “Meet Me in the Bathroom,” an adaptation of Lizzy Goodman’s nonfiction book about sleazy New York City rock (including, yes, LCD Soundsystem). “Don’t Look Back in Anger” was written by Steven Knight, one of the most fabulous British screenwriters (and creator of “Peaky Blinders” and “The Crown”) and shot by cinematographer Haris Zambarloukos, who regularly collaborates with Kenneth Branagh. But the star of the show is, obviously, Liam and Noel Gallagher, the endlessly talented, hot-tempered brothers who made Oasis and then broke Oasis. Hearing from them is what makes “Don’t Look Back in Anger” a must-see documentary. Maybe they’ve mellowed in their old age. But probably not.

“Hokum”

Hulu – Oct. 10

Over the summer NEON released “Hokum,” which starred Adam Driver as a tortured novelist who checks into an extremely haunted house in rural Ireland, was mostly overlooked, with audiences instead focusing on viral sensations “Backrooms” and “Obsession.” And it’s a shame, too, because “Hokum” is really, really great – the kind of sturdy, old-fashioned (but never dull!) ghost story that draws you in and keeps you there. Driver’s Ohm, who is visiting Ireland to distribute his late parents’ ashes and to attempt a conclusion to a hugely popular trilogy, is a huge jerk.

The kind of character that every actor loves to play. But as he gets sucked into the mystery, both supernatural and earthly, his demeanor starts to soften; the edge starts to fade. And the character that lies underneath is vulnerable and susceptible to everything that the hotel throws at him. It must have been a lot of fun to play. Damian McCarthy, the filmmaker behind 2024’s “Oddity,” knows how to build a sequence and is smart enough to make things spooky but never trite, leaning on folklore and colorful characters, to create a beautiful, atmospheric tapestry. Now that it’s on streaming, don’t skip “Hokum.” Pretty soon you’ll be recommending it to all of your friends.

“Love of Your Life”

Prime Video – Oct. 14

Fresh off its debut at the Toronto International Film Festival, filmmaker Rachel Morrison’s romantic drama “Love of Your Life” hits Prime Video this month. Margaret Qualley plays a nurse mourning the loss of her husband (Gabriel Basso) who flees the U.S. to get away from all of her problems. But will the running make a path towards healing, or will her ghosts keep chasing her?

“Sacrifice”

Netflix – Oct. 16

Romain Gavras is one of the best filmmakers working today and one that you’ve likely never heard of. The son of “Z” director Costa-Gavras, Gavras got his start making provocative music videos for Justice and Kanye West, before graduating to features. His last feature, 2022’s “Athena,” was a whirling, aggressive, sharply political action movie full of virtuosic shots that seemed borderline impossible, putting you in the middle of an urban uprising. For his follow up, the exquisitely bizarre “Sacrifice,” he follows a group of eco-terrorists who, fueled by ancient mythology, set out to kidnap some celebrities and hurl them into a volcano, in an effort to prevent a worldwide catastrophe.

You know, that old chestnut. Anya Taylor-Joy plays the zealous leaders of the terrorists, with Chris Evans an action star that is kidnapped by the group. (Vincent Cassel, a frequent Gavras collaborator, plays a Jeff Bezos-style billionaire who is also kidnapped and destined for the volcano.) Co-written by “Succession” alum Will Arbery, “Sacrifice” is a spiky, unexpected satire that will make you think and make you LOL. It’s beautifully shot, full of exotic locations and embroidered by a gorgeous score by Gavras’ multimedia art band Gener8ion (who performed a song with Yung Lean, who is in “Sacrifice,” on the MTV Video Music Awards) and some genuinely whacked-out performances by Evans, Taylor-Joy and Malkovich, as her father. Once you get on the same wavelength as “Sacrifice,” you should have a good time. Until you arrive at the volcano that is.

“Tenzing”

Apple TV – Oct. 16

This based-on-a-true-story drama, which premiered earlier this year at the Telluride Film Festival was directed by Australian filmmaker Jennifer Peedom, who previously helmed “Sherpa,” a documentary about the 2014 Mount Everest ice avalanche. Peedom returns to Mount Everest for this narrative feature, which follows New Zealand adventurer Sir Edmund Hillary (played by Tom Hiddleston) and his Sherpa guide Tenzing Norgay (Genden Phuntsok) as they ascended the mountain in 1953. (They would be the first climbers to reach the summit of Everest, the mountain on earth above sea level.) Willem Dafoe plays fellow adventurer John Hurt and Caitríona Balfe also stars. The movie got rave reviews in its festival screenings and the trailer is genuinely thrilling. If you want real-life edge-of-your-seat suspense, “Tenzing” should do the trick.

“Norm: The Tale of Norm Macdonald”

Netflix – Oct. 16

One of the quartet of comedy documentaries arriving this month on Netflix and potentially the buzziest, “Norm: The Tale of Norm MacDonald” is a documentary about MacDonald, the comedian and former “Saturday Night Live” cast member who died in 2021 at the age of 61. Structured mostly like someone surfing the internet looking for clips of MacDonald, it also features some insight into his personal life, which was sad and strange but in a way that lines up with his public persona. MacDonald’s battle with cancer, which impacted him as a young man and eventually took his life, is addressed but not in depth. That’s because MacDonald kept his diagnosis secret and only a handful of people even knew that he was sick. “Norm” is overlong (but hey, it is a Judd Apatow movie), but it is incredibly funny, even if it just replays some of the MacDonald clips you’ve already seen countless times before (you’ll still laugh). As a portrait of a man, it leaves something to be desired, but as a celebration of one of the greatest, most oddball comics of his generation, it’s a profound monument. It will make you miss Norm very much. Even more than you already do.

“The Death of Robin Hood”

Netflix – Oct. 16

A fine complement to Christopher Nolan’s thematically similar “The Odyssey,” “The Death of Robin Hood” follows the titular archer (played by Hugh Jackman) who, towards the end of his life, finds himself on a remote island being tended to by a healer (Jodie Comer). We see flashes of his life, not as a hero but as a highwayman and murderer, prowling the countryside with a similarly psychotic Little John (Bill Skarsgård) and eventually living alone, killing anyone who dares confront him for his past deeds. (The violence in the movie is pretty gnarly.) On the island, though, Robin Hood looks back on his life and attempts to take accountability, before accepting his fate as a man condemned to die. Is it the cheeriest movie of the year? No. But it investigates the power of myth, creating an earthy fable about how storytelling can consume, heal or destroy. “The Death of Robin Hood,” helmed by “Pig” and “A Quiet Place: Day One” filmmaker Michael Sarnoski, is one of the better, more underrated efforts from A24. Hopefully it finds an audience at home. It hits the bullseye.

“The Invite” 

HBO Max – Oct. 23

One of the best films of the year is finally on streaming. “The Invite” is a hilarious, devastating relationship comedy/drama about a married couple (played by Olivia Wilde and Seth Rogen) who invites their adventurous upstairs neighbors (played by Edward Norton and Penelope Cruz) over for dinner. The whole film takes place in this one apartment, but over the course of the evening, Wilde and Rogen’s characters lay bare the issues in their marriage, the secrets they’ve been keeping from each other and struggle to decide whether they belong together – all in front of these two strangers. It’s funny and heartbreaking all at once.

“Paralyzed by Hope: The Maria Bamford Story”

Netflix – Oct. 23

Maria Bamford is one of the most celebrated comedians of our time… in the world of comedians. Director Judd Apatow chronicles the life and career of this extremely special person in this new documentary, which finds Bamford reluctantly participating in a way that is both hilarious and fitting. The movie tackles why she decided to lay bare her mental health struggles on stage, and what it’s been like getting so much acclaim from the comedy world but not quite finding mainstream success.

“Minions & Monsters”

Peacock – Oct. 28

“Minions & Monsters” might be the best movie in the “Despicable Me” franchise, full stop. And yet it was something of a box office disappointment, making “only” $525 million worldwide against a budget of $85 million. But it will have its day. The film mostly takes place in 1920’s Hollywood, where the Minions have found themselves and where they decide to make their own monster movie. Of course, they come across an enchanted book and end up conjuring an actual monster. You know. Classic “Minions” shit. But director/co-writer Pierre Coffin (he also voices the Minions) has stuffed the movie with loving throwbacks to classic cinema and has enough surprises up his sleeve to keep even the most jaded viewer fitfully entertained. The movie, as it shuttles along, becomes more conventional but no less fun. This is the highlight of the franchise and one of the very best animated movies of the year. Yes, we’re as surprised as you are.

“SCTV: The Greatest Show You’ve Never Heard Of”

Netflix – Oct. 30

The fourth and final comedy documentary premiering this month on Netflix is “SCTV: The Greatest Show You’ve Never Heard Of,” a side-splitting portrait of the beloved, hugely influential Canadian answer to “Saturday Night Live” and perhaps the funniest, most moving doc of the entire bunch. Though archival materials, including some rarely seen footage, new interviews with cast members like Cahterine O’Hara, Eugene Levy, Martin Short and – yes! – Rick Moranis, and clips from the series, the Jason Hehir-directed documentary highlights just how funny things were in the Great White North and how many people are still influenced by them today. (Bill Hader is frequently interviewed and is nearly crying laughing every time, just recounting his favorite sketches.)

There is a bit of melancholy to the documentary, too, which goes a long way, considering how many cast members and close creative collaborators the “SCTV” team has lost along the way, including John Candy and, just a few months after she recorded her interviews, O’Hara herself. If anything, the sadness makes the comedy even more powerful. What they were doing was special and it can still make you giggle uncontrollably, even through the tears. Just ask Bill Hader.

The post The Top 21 New Movies Streaming Now appeared first on TheWrap.

The buzziest move of all may be Disney’s decision to give Netflix a three-month promotional window to stream the first two seasons of Disney+’s “Percy Jackson and the Olympians” in conjunction with the show’s Season 3 premiere on Nov. 20. The fantasy series’ first two seasons will be available to stream on Netflix starting on Oct. 4.

Additionally, all five “Ice Age” films are set to begin streaming on Netflix on Oct. 4 as part of a separate, three-month streaming window leading into the theatrical release of “Ice Age: Boiling Point” on Feb. 5, 2027. Every season of ABC series “Will Trent” and “Shifting Gears” will also arrive on Netflix on Nov. 3 and Dec. 1, respectively. Both shows’ arrivals on Netflix come just a few months ahead of the premieres of their new seasons early next year.

Furthermore, all three seasons of the Justin Hartley-led “Tracker” will now be available to stream on Netflix outside of the U.S. for a multi-year term.

Disney is also bringing a number of non-franchised Walt Disney Animation Studios and Pixar titles to Netflix starting early next year, including “Soul,” “Elio” and “Raya and the Last Dragon.” Other, legacy shows owned by Disney, such as “Felicity,” “Revenge,” “Army Wives,” “Fresh Off the Boat” and “This Is Us,” are heading to the streamer as well.

Notably, all of the titles listed above will remain available to stream on Disney+ and Hulu, with Netflix serving as an additive, secondary streaming platform for the selected shows and movies. Disney-owned titles that are already streaming on Netflix, like “Grey’s Anatomy,” “Arrested Development,” “Scandal” and “Black-ish,” will also continue to be available on the platform.

The new licensing deal furthers Disney’s ongoing effort to prioritize its companywide, Disney+-first approach of emphasizing the streaming exclusivity of most of its library titles, while still entering into select third-party licensing agreements. In this case, many of the shows and movies being licensed to Netflix have been made available to the streamer in the hopes of growing their audiences ahead of their upcoming seasons and sequels.

The post ‘Percy Jackson’ and More Disney Titles Start Streaming on Netflix in Huge Licensing Deal appeared first on TheWrap.